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THE BOOK THAT INSPIRED TOM FORD'S NEW FILM, NOCTURNAL ANIMALS, STARRING JAKE GYLLENHAAL AND AMY ADAMS
"A SUPERB AND THRILLING NOVEL...EXTRAORDINARY." -- Ian McEwan
"COMPELLING...MESMERIZING...ABSOLUTELY IRRESISTIBLE."--New York Times
"A PERFECT LITERARY PUZZLE, AN IRRESISTIBLE TALE ABOUT MARRIAGE AND MURDER, BOTH THRILLING AND MOVING."--Scott Turow
"A PAGE-TURNER OF A LITERARY THRILLER."--Sara Waters
"BEAUTIFULLY WRITTEN, PERFECTLY PACED, IMPRESSIVELY CLEVER, AND ULTIMATELY SHOCKING IN A WAY YOU NEVER SEE COMING."--Nelson DeMille
"ABSOLUTE TERRIFYING, BEAUTIFUL, AND APPALLING. PARTS OF IT SHOCKED ME, AND I AM NOT EASILY SHOCKED."--Ruth Rendell
Fifteen years ago, Susan Morrow left her first husband, Edward Sheffield, an unpublished writer. Now, she's enduring middle class suburbia as a doctor's wife, when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
TONY AND SUSAN is a dazzling, eerie, riveting novel about fear and regret, blood and revenge, marriage and creativity. It is simply one of a kind.
- Sales Rank: #21739 in Books
- Brand: Grand Central Publishing
- Published on: 2016-11-01
- Released on: 2016-11-01
- Original language: English
- Number of items: 1
- Dimensions: 5.20" h x .88" w x 8.00" l, .0 pounds
- Binding: Paperback
- 336 pages
Features
From Publishers Weekly
Wright's accomplished novel depicts a wife confronting feelings for her ex-husband as she reads his unpublished manuscript. Advertising.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
By framing a crime story within a domestic novel, Wright, an English professor and author of three previous novels, dissolves the fragile civility that often conceals violence. He also scrutinizes the institution of marriage, considers the nature of memory, and documents the potential impact of one's choices, both large and small--all without sacrificing pace. At Edward Sheffield's request, Susan Morrow reads his first novel, Nocturnal Animals , in which an impulsive change of plan delivers Tony Hastings and his family into the hands of strangers who terrorize them. Passages from Sheffield's novel alternate between Susan's memories of Sheffield (her ex-husband), to details of her current marriage, to her speculations about the writer's and the reader's obligations. By counterpoising the eroding compromises of Susan's daily life with the sufferings of the Hastings family, Wright demonstrates that macho posturing, cruelty, and the refusal of individual responsibility infect both sexes and all classes. Highly recommended.
- Jane S. Baker man, Indiana State Univ., Terre Haute
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Twenty-five years ago, Susan Sheffield divorced her ineffectual husband Edward to marry heart surgeon Arnold Morrow. Now that Edward's asked her to read the novel he's finished, she's pulled into it in disturbing ways other readers may not fully share. Not that Edward's novel, Nocturnal Animals, isn't disturbing in its own right as it unfolds the story of Tony Hastings, an Ohio professor--like real-life novelist Wright (The Morley Mythology, 1977, etc.)--whose trip to his Maine summer home with his wife Laura and daughter Helen is disastrously interrupted by a carload of louts who force him off the road, separate him from Laura and Helen, drive him for miles, and abandon him alone in the middle of backwoods Pennsylvania. Lt. Bobby Andes, leading the search for the women the following day, inevitably find them raped and murdered, and Tony sinks into an apathetic fog from which he never fully emerges--despite a return to his job, a few fumbling attempts at resuming his sex life, and two calls from Andes asking him to come back east for a police lineup. The first time, infuriatingly, Tony can't make an identification, but the second time, he does identify a suspect, setting in motion the engine of his final calamitous return to life. Reading Tony's adventures over three nights, Susan feels herself slipping imperceptibly into an identification with his sense of death- in-life, reviewing her life since Edward--her first adulterous fling with Arnold, her brisk parting from Edward, the hollowness of her careful life since--and feeling uncomfortably called to account. Because the melodramatic novel-within-a-novel is so much more arresting than the subtle, ambiguous frame story, even readers who find Susan's reactions more fervently invoked than convincingly demonstrated will find much of interest here. Try throwing away the rind and eating the pulp. -- Copyright �1993, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Evocative and fast paced
By blondewriter99
This isn't going to be for everyone, but I really loved the writing. It's very evocative, and incisive in terms of its characterizations. Unlike the movie, the book's main theme isn't revenge but the nature of mourning - and also the world that we enter into when we read the imaginary world of someone else. I took off one star because it starts to drag towards the end and I think it could have been shortened. The story doesn't demand such a long book. It's sad to see all the one-star reviews for a book I found so beautifully written and fast-paced (for the most part). There are a few quirks that took getting used to (the characters are mostly referred to by both their first and last names for some odd reason). The author also wants to describe every character's chin. But all in all, a compelling read and I'll check out more from this author.
0 of 0 people found the following review helpful.
Tony & Susan
By Reader2307
Susan receives a manuscript for a yet to be published book by her ex-husband Edward. The book is entitled Nocturnal Animals and explores themes of revenge, manhood and grief. Susan is puzzled as to why Edward would send her his work because during their marriage her criticism of his writing was a bone of contention.
I found this book boring and very slow for a thriller. Its ending was anticlimactic. I didn't enjoy Wright's writing style which is littered with fragmented sentences that are confusing and disorienting. I feel that the story within the story(Nocturnal Animals) would have made for a much better book. I don't understand what purpose the format serves other than to feed Susan's unfounded paranoia and neuroticism which are never explained.
8 of 9 people found the following review helpful.
A novel about how a work of fiction can communicate more than just a made up story.
By FRANK
Tony, the main character in the book within the book, is so fearful and self centered that I almost stopped reading, but when I hung in I found the novel worthwhile even though I still didn't care for Tony. The law enforcement officer Bobby Andes is interesting, but I found his quest for cold blooded extra-legal vengeance difficult to follow, especially since Tony was not looking to avenge his wife and daughter in such a way. Andes is more of a prop than a character, to bring out the inner conflicts in Tony's head.
What I enjoyed was the way Austin Wright wrote this. He put substance to the minute-to-minute thoughts and musings of Tony and, in my opinion, did what good a writer can do: makes us feel like we understand what it's like to be Tony. Susan's reflections on the novel as the reader and ex-wife of the fictional author add a nice commentary on what a novel can provoke in a reader.
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