Selasa, 27 Agustus 2013

[O828.Ebook] PDF Download Understanding EKGs: A Practical Approach (4th Edition), by Brenda M. Beasley

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Understanding EKGs: A Practical Approach (4th Edition), by Brenda M. Beasley

Understanding EKGs: A Practical Approach (4th Edition), by Brenda M. Beasley



Understanding EKGs: A Practical Approach (4th Edition), by Brenda M. Beasley

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Understanding EKGs: A Practical Approach (4th Edition), by Brenda M. Beasley

Understanding EKGs: A Practical Approach, Fourth Edition, takes a 5-step approach to EKG interpretation. Offering a straightforward presentation of cardiovascular anatomy and physiology, this edition includes expanded graphics as well as rhythm strip examples with answers based on the popular 5-step approach. Review questions and review strips at the end of each chapter reinforce learning. Plus, a chapter dedicated to the assessment and management of the patient with cardiovascular emergencies is included in this fourth edition. This text is perfect for courses in EMS, nursing, cardiovascular emergencies, and monitor tech training.

  • Sales Rank: #249192 in Books
  • Published on: 2013-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .60" w x 8.40" l, 1.12 pounds
  • Binding: Paperback
  • 264 pages

Most helpful customer reviews

11 of 13 people found the following review helpful.
Practical?
By LoriL
If you are teaching or learning EKG's this is not the book for you! Although this book is initially inviting because of the color (it is much easier to measure strips on colored ECG paper) the measurements in the back are wrong in the appendix and are confusing to learners. This book also does not have "beginning" strips to learn, or typical strips for that matter. There are limited examples (50) to identify and that is NOT sufficient for learning ECG's. With the price of this book I would highly suggest another choice...any choice for that matter.

2 of 2 people found the following review helpful.
Wonderful study book
By Kimberly Shelton
Required for my paramedic class and well worth it. I would say go ahead and get it because you'll be mad if you don't.

2 of 2 people found the following review helpful.
EKG
By j
As a nursing student this book has helped to simplify and explain each type of strip in a manner that makes sense.

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Minggu, 25 Agustus 2013

[H416.Ebook] Download Ebook Research Methods in Biomechanics-2nd Edition, by Gordon Robertson, Graham Caldwell, Joseph Hamill, Gary Kamen, Saunders Whittlesey

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Research Methods in Biomechanics-2nd Edition, by Gordon Robertson, Graham Caldwell, Joseph Hamill, Gary Kamen, Saunders Whittlesey

Research Methods in Biomechanics-2nd Edition, by Gordon Robertson, Graham Caldwell, Joseph Hamill, Gary Kamen, Saunders Whittlesey



Research Methods in Biomechanics-2nd Edition, by Gordon Robertson, Graham Caldwell, Joseph Hamill, Gary Kamen, Saunders Whittlesey

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Research Methods in Biomechanics-2nd Edition, by Gordon Robertson, Graham Caldwell, Joseph Hamill, Gary Kamen, Saunders Whittlesey

Research Methods in Biomechanics, Second Edition, demonstrates the range of available research techniques and how to best apply this knowledge to ensure valid data collection. In the highly technical field of biomechanics, research methods are frequently upgraded as the speed and sophistication of software and hardware technologies increase. With this in mind, the second edition includes up-to-date research methods and presents new information detailing advanced analytical tools for investigating human movement.

Expanded into 14 chapters and reorganized into four parts, the improved second edition features more than 100 new pieces of art and illustrations and new chapters introducing the latest techniques and up-and-coming areas of research. Also included is access to biomechanics research software designed by C-Motion, Visual3D Educational Edition, which allows users to explore the full range of modeling capabilities of the professional Visual3D software in sample data files as well as display visualizations for other data sets. Additional enhancements in this edition include the following:

• Special features called From the Scientific Literature highlight the ways in which biomechanical research techniques have been used in both classic and cutting-edge studies.

• An overview, summary, and list of suggested readings in each chapter guide students and researchers through the content and on to further study.

• Sample problems appear in select chapters, and answers are provided at the end of the text.

• Appendixes contain mathematical and technical references and additional examples.

• A glossary provides a reference for terminology associated with human movement studies.

Research Methods in Biomechanics, Second Edition, assists readers in developing a comprehensive understanding of methods for quantifying human movement. Parts I and II of the text examine planar and three-dimensional kinematics and kinetics in research, issues of body segment parameters and forces, and energy, work, and power as they relate to analysis of two- and three-dimensional inverse dynamics. Two of the chapters have been extensively revised to reflect current research practices in biomechanics, in particular the widespread use of Visual3D software. Calculations from these two chapters are now located online with the supplemental software resource, making it easier for readers to grasp the progression of steps in the analysis.

In part III, readers can explore the use of musculoskeletal models in analyzing human movement. This part also discusses electromyography, computer simulation, muscle modeling, and musculoskeletal modeling; it presents new information on MRI and ultrasound use in calculating muscle parameters. Part IV offers a revised chapter on additional analytical procedures, including signal processing techniques. Also included is a new chapter on movement analysis and dynamical systems, which focuses on how to assess and measure coordination and stability in changing movement patterns and the role of movement variability in health and disease. In addition, readers will find discussion of statistical tools useful for identifying the essential characteristics of any human movement.

The second edition of Research Methods in Biomechanics explains the mathematics and data collection systems behind both simple and sophisticated biomechanics. Integrating software and text, Research Methods in Biomechanics, Second Edition, assists both beginning and experienced researchers in developing their methods for analyzing and quantifying human movement.

  • Sales Rank: #185056 in Books
  • Brand: Brand: Human Kinetics
  • Published on: 2013-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 8.60" w x 11.00" l, 3.10 pounds
  • Binding: Hardcover
  • 440 pages
Features
  • Used Book in Good Condition

Review

“From how to understand and build concepts to new chapters on new techniques and research in the works, this provides a fine college-level analysis of the math and data collection systems behind biomechanics, and makes for a fine reference for any research interested in analyzing human movement.”

-- Midwest Book Review

About the Author

D. Gordon E. Robertson, PhD, an emeritus professor and a fellow of the Canadian Society for Biomechanics, wrote Introduction to Biomechanics for Human Motion Analysis. He taught undergraduate- and graduate-level biomechanics at the University of Ottawa and previously at the University of British Columbia, Canada. He conducts research on human locomotion and athletic activities and authors the analogue data analysis software BioProc3.

Graham E. Caldwell, PhD, an associate professor and a fellow of the Canadian Society for Biomechanics, teaches undergraduate- and graduate-level biomechanics at the University of Massachusetts at Amherst and previously held a similar faculty position at the University of Maryland. He won the Canadian Society for Biomechanics New Investigator Award and in 1998 won the Outstanding Teacher Award for the School of Public Health and Health Sciences at the University of Massachusetts at Amherst. He served as an associate editor for Medicine and Science in Sports and Exercise.

Joseph Hamill, PhD, is a professor and fellow of the Research Consortium, International Society of Biomechanics in Sports, Canadian Society for Biomechanics, American College of Sports Medicine, and National Academy of Kinesiology. He coauthored the popular undergraduate textbook Biomechanical Basis of Human Movement. He teaches undergraduate- and graduate-level biomechanics and is director of the Biomechanics Laboratory at the University of Massachusetts at Amherst. He serves on the editorial boards of several prestigious professional journals. He is adjunct professor at the University of Edinburgh in Scotland and the University of Limerick in Ireland and a distinguished research professor at Republic Polytechnic in Singapore.

Gary Kamen, PhD, is a professor and fellow of the American Alliance for Health, Physical Education, Recreation and Dance; American College of Sports Medicine; and National Academy of Kinesiology. He authored an undergraduate textbook on kinesiology, Foundations of Exercise Science, as well as a primer on electromyography, Essentials of Electromyography.�He was president of the Research Consortium of AAPHERD and teaches undergraduate and graduate courses in exercise neuroscience and motor control in the department of kinesiology at the University of Massachusetts at Amherst.

Saunders (Sandy) N. Whittlesey, PhD, a graduate of the University of Massachusetts at Amherst, is a self-employed technology consultant specializing in athletic training, sporting goods, and clinical applications.

Additional Contributors

Norma Coffey, PhD, a postdoctoral researcher in statistics at the National University of Ireland at Galway, has expertise is functional data analysis and worked extensively with the Biomechanics Research Unit at the University of Limerick. Her current area of research involves applying functional data analysis techniques to time-course gene expression data.

Timothy R. Derrick, PhD, a professor in the department of kinesiology at Iowa State University, has an extensive background in signal processing and conducts research on impacts to the human body particularly from the ground during running activities.

Kevin Deluzio, PhD, is a professor in the department of mechanical and materials engineering at Queen's University in Kingston, Canada, and held a similar position at Dalhousie University. He studies human locomotion to investigate the biomechanical factors of musculoskeletal diseases such as knee osteoarthritis. He is also interested in the design and evaluation of noninvasive therapies as well as surgical treatments such as total-knee replacement.

Andrew (Drew) J. Harrison, PhD, is a senior lecturer in biomechanics in the department of physical education and sport sciences at the University of Limerick in Ireland and a fellow of the International Society for Biomechanics in Sport. He is the director of the Biomechanics Research Unit at the University of Limerick. His research focuses on biomechanics of sport performance and sport injuries.

Thomas M. Kepple, PhD, is an instructor in the department of health, nutrition, and exercise sciences at the University of Delaware. He worked for many years as a biomechanist at the National Institutes of Health on motion capture technology and gait laboratory instrumentation.

Ross H. Miller, PhD, an assistant professor in the department of kinesiology at the University of Maryland, has published papers on static optimization and forward dynamics as well as methods on nonlinear techniques of data analysis.

Scott Selbie, PhD, is an adjunct professor at Queen's University, Canada, and at the University of Massachusetts at Amherst. He is a graduate of Simon Fraser University, Canada. He is the director of research at C-Motion, developers of the Visual3D software, and president of HAS-Motion in Canada.

Brian R. Umberger, PhD, is an associate professor teaching biomechanics at the undergraduate and graduate levels in the department of kinesiology at the University of Massachusetts at Amherst. In 2010, he received the Outstanding Teacher Award for the School of Public Health and Health Sciences at the University of Massachusetts at Amherst. In his research, he uses a combination of experimental, modeling, and simulation approaches to study the biomechanics and energetics of human locomotion.

Richard E.A. van Emmerik, PhD, is a professor in the kinesiology department at the University of Massachusetts at Amherst, where he teaches motor control at the undergraduate and graduate levels. In his research, he applies principles from complex and nonlinear dynamical systems to the study of posture and locomotion.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Four Stars
By Kelsey Zary
Only reason not 5 stars is because let's be honest, it is hard to "love" a textbook

1 of 1 people found the following review helpful.
Clean, neat, and strong spine
By Jaber
New and good as expected.

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Jumat, 23 Agustus 2013

[W425.Ebook] Download PDF Freedom: The Story of My Second Life, by Malika Oufkir

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Freedom: The Story of My Second Life, by Malika Oufkir

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Freedom: The Story of My Second Life, by Malika Oufkir

Stolen Lives, Malika Oufkir's intensely moving account of her twenty years imprisoned in a desert jail in Morocco, was a surprise international best seller and the second non-fiction title ever selected for Oprah's Book Club.

In her highly anticipated follow-up, Malika reflects on the life she lived before and during incarceration and how dramatically the world had changed when she emerged. Malika Oufkir was born into extreme privilege as the daughter of the king of Morocco's closest aide, and she grew up in the palace as companion to the Moroccan princess. But in 1972, her life of luxury came to a crashing halt.Her father was executed for attempting to assassinate the king, and she and her family were locked away for two decades. After a remarkable escape, Malika and her family returned to the world theyd left behind, only to find it transformed.

Living for the first time as an adult, Malika writes candidly about adjusting to the world we take for granted, from negotiating ATMs to the excesses of shopping malls, to falling in love and sex. In Stolen Lives, Malika mourned the children she was not having as she wasted away in prison. When she is finally free, motherhood becomes crucial to Malika's ability to fully live her life: she adopts first her niece, then a baby boy from Morocco. Full of insight and piercing observations, as well as humor, Freedom is as masterful and thoughtprovoking as the original.

  • Sales Rank: #1360524 in Books
  • Published on: 2007-10-09
  • Released on: 2007-10-09
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: 8.00" h x .0" w x 5.19" l,
  • Binding: Paperback
  • 256 pages

Review
"It's refreshing when that rare memoir comes along, one with a truly compelling, harrowing narrative that also ventures beyond the writer's life to explore a greater context. Freedom by Moroccan writer Malika Oufkir is such a book. Considering the volatile and vulnerable era in which we now live, Oufkir's story of her years during (and after) her 24-year incarceration in a Moroccan prison raises provocative political questions. Above all, it's a tale of deprivation and survival in their rawest forms...With Freedom, Oufkir continues her engrossing, courageous journey...Never self-congratulatory, the life lessons she imparts with candor-about privilege, generosity, understanding and gratitude-might be forgettable were they not so hard-won. It's rare that someone's experiences prove genuinely inspiring, but Oufkir's book does. It might just lead you to change someone else's life for the better or, at the very least, your own."

About the Author

Malika Oufkir, born in 1953, lives in Florida with her husband and children. Her first book was published in 2001 and was an international bestseller.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Absurdities of 21st century life
By Harrington
Oufkir shares her struggles to catch-up with the world that left her behind for 20 yrs. With fresh eyes she points out how we too often pollute our freedom with absurdities, all told with gentle humor and disarming openness. Hope there is much more to follow -- hopefully tales of her Berber ancestry.

24 of 28 people found the following review helpful.
A victim no more but a writer acquiring her own voice
By C. Perry
As one reviewer has commented, this book does not recount a "story" in the sense that one might expect from the word. If Malika Oufkir's first book, "Stolen Lives," was mostly a chronological account of "facts" (as co-author Mich�le Fitoussi required), "Freedom" is the retelling of an inward and intimate journey, from victimhood to the strenuous apprenticeship of a self in the "normal" world beyond prison. Although Malika Oufkir's humor, wit, and genuine warmth shine through this book, her account is not necessarily meant to be a heartwarming or comforting "story," it is the witnessing of another kind of struggle than the one we read in 2001, as the author makes her often painful and occasionally joyful way toward a renewed self.

The publication of "La Prisonni�re" in 1999, and subsequently of its English translation in 2001, thrust Malika Oufkir into stardom. This proved to be a mixed blessing since the media tended to package her in the confining role of a "victim," a role designed to elicit compassion and sympathy. At one point, she recounts in "Freedom", she "felt like a strange creature being exhibited for the civilized white man" (p. 217). In her second book, she attempts to free herself from this role, as she repeatedly asserts. We have to take such declarations seriously. This is a woman who managed to survive extreme adversity in great part through her ability to imagine another life and to create fictional characters or settings through which she could momentarily forget her circumstances. Now she is dipping into this pool of creativity in order to become the writer that she potentially was in prison. "Listening" to her voice, which rings with authenticity in the French original (a quality that no translation, not even a good one as in this case, can fully convey), I sense that Malika Oufkir is acquiring her own, distinct personality as a writer. Rather than living in her imagination with no product to show for such intense inner activity, she has found writing as a critical means of discovering her identity, beyond that of victim and prisoner, and of constructing herself. It is of course significant that this book represents her first achievement as a writer on her own.

If at times Malika Oufkir appears to judge the "free world" in severe or condescending terms, she hardly spares herself either. Apart from a gentle form of revenge against this world for having ignored her family while they were in prison, there is great honesty in her account. Naturally drawn to the homeless in Paris and to their "desperate" way of grasping the world, for instance, she then measures her own limits when attempting to help people in distress, and she goes so far as to accuse herself of cowardice. She is aware of her own contradictions as well, even blaming herself for having participated (however indirectly) in the tyranny that plagued Morocco, her country of birth, under King Hassan II. At no time does Malika Oufkir claim to give an entirely objective account of her life or of her surroundings. Instead, she focuses on her perceptions and emotions as a way of understanding herself and her surroundings through the process of writing. After the publication of her first book in 1999, she spent years speaking in public to raise people's awareness about the atrocities that had been perpetrated in her country. The time then came for her to turn her "mission" inwards. What we take as self-evident, she has had to learn, slowly and often agonizingly. Who, never having undergone circumstances remotely similar to the ones she endured, can evaluate the laborious nature of such a renewal?

Malika Oufkir accomplishes other goals in this book. By providing updates on her brothers, sisters, and mother, she responds to the concern expressed by many readers of "Stolen Lives" over the fate of her family. Through nuanced judgments, she also aims to redress the overly negative perception of Morocco that her first book precipitated. And she aims to correct mistaken perceptions of herself; though raised like a princess at the royal Moroccan court, for instance, she stresses that she comes "from the people" (p. 126).

The process of literary creation surfaces in this book as well. Malika Oufkir discreetly shows that she is a reader, the precondition for being a writer, as when she describes herself reading in the (symbolic) underground world of Parisian subways. Echoes of Proustian reminiscences and mistaken perceptions, for example, infuse the hilarious account of her experience in a Parisian caf� washroom. Or take the opening chapter of the book, entitled "Adam." Here, the English translation loses the subtlety of the French original, for the chapter is literally entitled "The First Man of My Life" ("Le premier homme de ma vie"). This first man is Adam, Malika Oufkir's adopted son, whose name also serves as the first word of the book. This aptly chosen figure of renewal is present in other passages, reminding us of the author's purpose in writing her book: "Now that I have Adam, I know that I'm through being a victim" (p. 107-08).

Provided its essential purpose remains clear in the reader's mind, this book will be of compelling interest to those who cared about "Stolen Lives," but also to those who care about survivors and their ways of coping once they are freed from the hardships that taught them to forge a defiant identity in order to resist their circumstances.

7 of 7 people found the following review helpful.
Is It Natural To Live With Freedom?
By FQH
Note: The voice in FREEDOM is different than that in STOLEN LIVES because only Oufkir wrote this book, whereas two other authors contributed to STOLEN LIVES.

In the memoir FREEDOM: THE STORY OF MY SECOND LIFE (a sequel to STOLEN LIVES) author Malika Oufkir describes relearning how to live as a free person. She was 19 when she, her mother, and her brothers and sisters were confined to a Moroccan prison. Before that she was adopted by the king and basically locked up in the king's court. She was 39 when she escaped; she later moved to Paris, France. She talks about her fear, present even after she's safe:

"Even though I am now far from my jailers, shielded by the media [the media learned about her family's imprisonment then spread the word], I'm afraid everything could collapse around me in instant. What exactly am I afraid of? I don't even know myself. Certain terrors are so deeply rooted that they defy all logic. Even now, I sometimes wake up in the middle of the night, in those eerie hours when you can't quite tell whether you are awake or still dreaming, and I think I hear footsteps out in the hall... the apartment door opens and out of nowhere my jailers come to get me for crimes I haven't yet committed. Perhaps innocence begets its own guilt, planting suspicion both in oneself and in the eyes of others. That fear of being punished for things I haven't done, or haven't done yet, intensifies the hellish whirlwind of doubt. Like a battered child, I throw my arms up over my face, warding off blows and caresses, in order not to see what awaits me...."

Freedom isn't the gift she expects it to be; she is often confused about how to manage aspects it, particularly time: "Most free people are painfully dependent on their watches and alarm clocks, an almost physical addiction that makes them cling to each second as if were their last. I have all the time in the world." She contrasts free people's perceptions with her own: "I had to relearn everything. I had trouble with the notion of time, not knowing when I had to hurry and when I had time to spare, not understanding the imperatives of schedules."

Oufkir describes her struggles to figure out what a motion sensor sink is or how to operate an ATM--things people in Paris have probably used for more than 15 years--which is about the same as you or me trying to use laundry facilities in a foreign country when all the directions are written in a language we don't understand; this only beomes humorous later. These struggles are listed to illustrate what it means to straddle the gap between "what was" and "what is."(The German film "Good Bye, Lenin!" offers a funny take on this concept; the characters go to great lengths to keep someone from seeing "what is.")

FREEDOM's strength is Oufkir's focus on the small things that make up, for her, freedom. It's beautifully written and translated from French. Read FREEDOM first, then go back and read STOLEN LIVES. FREEDOM raises questions that are, to this reader's delight, answered in STOLEN LIVES.

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Kamis, 22 Agustus 2013

[D159.Ebook] Ebook Download Optical Tweezers: Principles and Applications, by Philip H. Jones, Onofrio M. Marag-, Giovanni Volpe

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Optical Tweezers: Principles and Applications, by Philip H. Jones, Onofrio M. Marag-, Giovanni Volpe

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Optical Tweezers: Principles and Applications, by Philip H. Jones, Onofrio M. Marag-, Giovanni Volpe

Combining state-of-the-art research with a strong pedagogic approach, this text provides a detailed and complete guide to the theory, practice and applications of optical tweezers. In-depth derivation of the theory of optical trapping and numerical modelling of optical forces are supported by a complete step-by-step design and construction guide for building optical tweezers, with detailed tutorials on collecting and analysing data. Also included are comprehensive reviews of optical tweezers research in fields ranging from cell biology to quantum physics. Featuring numerous exercises and problems throughout, this is an ideal self-contained learning package for advanced lecture and laboratory courses, and an invaluable guide to practitioners wanting to enter the field of optical manipulation. The text is supplemented by www.opticaltweezers.org, a forum for discussion and a source of additional material including free-to-download, customisable research-grade software (OTS) for calculation of optical forces, digital video microscopy, optical tweezers calibration and holographic optical tweezers.

  • Sales Rank: #2042361 in Books
  • Published on: 2016-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.10" w x 7.44" l, 2.95 pounds
  • Binding: Hardcover
  • 561 pages

Review
"Given the vast breadth of the subject, the title of the book may sound ambitious, yet the result is compelling. The authors are recognized experts in the field and have succeeded in combining a detailed textbook and a comprehensive encyclopedia of optical tweezers in one volume. The book is written at a high professional level and can serve as the basis of a graduate lecture course. The numerous exercises and problems of varying complexity included in Parts I and II will undoubtedly prove to be very instructive, while choosing specific applications from the great selection in Part III can help the instructor tailor the lecture course to the needs of a particular research field. The book also serves as a friendly user guide to a public-domain MatLab software toolbox available at www.opticaltweezers.org and called the Optical Tweezers Software (OTS)."
Michael I. Mishchenko, Journal of Quantitative Spectroscopy and Radiative Transfer

About the Author
Philip Jones is Reader in Physics at University College London where he leads the Optical Tweezers research group.

Onofrio Marag- is Researcher at the Istituto per i Processi Chimico-Fisici (CNR-IPCF) in Messina, Italy, where he leads the Optical Trapping research group.

Giovanni Volpe is Assistant Professor at Bilkent University where he is head of the Soft Matter Lab.

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Sabtu, 17 Agustus 2013

[A938.Ebook] Ebook Free Music Is Your Business: The Musician's FourFront Strategy for Success, by Christopher Knab, Bartley F. Day

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Music Is Your Business: The Musician's FourFront Strategy for Success, by Christopher Knab, Bartley F. Day

This book takes the mystery out of the music business! "Music Is Your Business" tells you who does what in the music industry. Music industry veteran Christopher Knab's honest, no-nonsense information will empower you to market and promote your music, whether you're an experienced performer or just starting out. Learn how to attract distributors, get radio airplay, negotiate offers, and create a demand for your music with topics like Con Jobs: Watch Out for the Flim Flam Man, 10 Reasons Why Musicians Fail (and How Not To), What A&R Reps Do, and Online Music Retailing. Straight to the point legal chapters by entertainment law attorney Bartley F. Day include Filing Copyright Applications, Trademarking Band Names, and Making Sense of Recording Industry Contracts. A sample distributor one-sheet, band tour and work schedule, band bio, and more! Newly revised, illustrated, indexed, and 100 pages longer. "Music Is Your Business" is essential for independent musicians and record labels.

  • Sales Rank: #3051608 in Books
  • Brand: Brand: FourFront Media and Music
  • Published on: 2007-09-15
  • Released on: 2007-06-05
  • Ingredients: Example Ingredients
  • Original language: English
  • Dimensions: 10.50" h x .63" w x 8.00" l, .2 pounds
  • Binding: Perfect Paperback
  • 280 pages
Features
  • Used Book in Good Condition

About the Author
Christopher Knab is a music business consultant with over three decades of experience; in music retail (owner, Aquarius Records-San Francisco), radio (station manager, 90.3 FM Seattle), and record label ownership (415/Columbia Records). A member of the faculty of the Art Institute of Seattle for 18 years, he taught music business courses in the Audio Production program. His pioneering and popular website fourfrontmusic.com, has been a respected resource for music business articles and podcasts since 1995. Bartley F. Day is an entertainment attorney with over 20 years of music business experience. He divides his time between Los Angeles, where he is the Vice-President of Legal and Business Affairs for the music publishing company Media Creature Music, and Portland, Oregon where he has an entertainment law practice focused on music law. In addition he is the outside music counsel for Vivendi Universal Games. He also represents film and TV production companies, authors and visual artists.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Information PACKED
By Jessica C. Carrick
I have not completed the book yet but I have read about half. It is an excellent book for someone who aspires to be part of the music industry. It will give you the WHOLE picture, and a lot of legal information that many people probably don't know about. It also helped me realize some of my options as a musician. I highly recommend this book.

6 of 8 people found the following review helpful.
This book has a ton of great information!
By Andrew J. Boyd
Chris Knab has made his career in all areas of the music business, from record store owner to radio DJ, starting a record label to managing an independent radio station, and music business educator and consultant.

Using what he calls the Four Front strategy to cover Artist and Product Development, Promotion, Publicity and Performance issues, Chris Knab shows independent musicians how to navigate the paths to sucess in the music business.

Let me break these down for you a little bit. In the Artist Development section, he lays out the knowledge and skills that musicians and bands need to reach their goals of getting their music out to an audience, and guides you through the many potential minefields that can hinder you from achieving success. In the Product Development section, he and entertainment lawyer Bartley Day detail the specifics of getting a record released, including CD production and both retail and internet distribution, as well as the many legal issues to be considered. In the Promotion section, he gives detailed information needed to get radio airplay for your songs. In the Publicity section, he shows the ways to get the word about your music out to the print, broadcast and internet media. Finally in the Performance section, he focuses on ways to find and build an audience of customers for your music.

The book is packed with useful information, but is also easy to read, and is a very good reference for any musician or band seeking a successful music career. The book won't do the work for you, but it will give you a detailed insider's view on what you need to do to make it in the music business.

2 of 2 people found the following review helpful.
The 4th Edition - the latest and greatest!
By Tom Dyer
Chris Knab has spent his life in the music business. He knows this is a business (and a nasty business at that at times) but he still thinks music matters. If you are sorting out the vagaries of living in a DIY world and how to make your beautiful music a business without selling your equally beautiful soul, his book is a great place to get you started.

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Rabu, 14 Agustus 2013

[E305.Ebook] Get Free Ebook The Best of David Bowie: 1969/1974- Piano / Vocal / Guitar, by David Bowie

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The Best of David Bowie: 1969/1974- Piano / Vocal / Guitar, by David Bowie

(Piano/Vocal/Guitar Artist Songbook). 20 of his early hits: All the Young Dudes * Changes * Diamond Dogs * Drive-In Saturday * Jean Genie * John, I'm Only Dancing * Let's Spend the Night Together * Life on Mars * The Man Who Sold the World * Rebel, Rebel * Rock 'N' Roll Suicide * Space Oddity * Starman * Suffragette City * Ziggy Stardust * and more. Includes a separate lyric section.

  • Sales Rank: #664420 in Books
  • Brand: Hal Leonard
  • Published on: 1999-04-01
  • Released on: 1999-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .28" w x 9.00" l, .90 pounds
  • Binding: Paperback
  • 120 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
This is a great book, some of Bowie's best compositions with plenty ...
By Steve C
This is a great book, some of Bowie's best compositions with plenty of cues how to pull them off, including instrumental fills, bass lines, etc.

0 of 1 people found the following review helpful.
Not bad
By Amazon Customer
Well,
Not bad

6 of 10 people found the following review helpful.
Not Quite What I Was Looking For
By Fran Mollica
David Bowie is a brilliant genius with brilliant music, but this book does not quite follow in his footsteps. While it includes many good songs, the singles included just are not his best songs. But that's not my real complaint. My real complaint is that it is only notated and not in tablature. Many people have trouble reading a book that has no tablature, and ( i can read music, but tab much faster) many are delayed by having to turn one into the other. Also the piano, guitar 1, guitar 2, etc. parts are not well enough defined. I wish that they would make an effort a more extensive collection of this legend, but also that they would please do a tablature version. I know i would certainly buy it, being a collector and all. I'm not saying don't buy it, just beware before you do that it's not in tablature.

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Atonement, by Ian Mcewan

Atonement[ ATONEMENT ] By McEwan, Ian ( Author )Feb-25-2003 Paperback

  • Sales Rank: #94752 in Books
  • Published on: 2003
  • Binding: Paperback

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385 of 429 people found the following review helpful.
Trials of a summer night
By Charles Slovenski
This is an engaging story and so finely written that the reading is both effortless and seductive. After I had finished (that is, after drying my eyes and regaining my breath), I was amazed to realize how complex a plot it is considering how smoothly it is told. By far, it is the best book I have read in years.
The story starts on a summer day at a large country estate in pre-WWII England. For anyone who delights in the heady mix of intelligence, innocence and youthful imagination, the beginning is like eating rich chocolate: 13 year old Briony has written a play -- the references to Austen, Burney, and family performances within 18th century lore are abundant and perfect -- to be rehearsed and performed by her unwilling and displaced visiting cousins in order to celebrate her brother's return to home with his sophisticated friend. However, reheasals in the playroom for THE TRIALS OF ARABELLA (of course) do not run smoothly: the twins boys do not understand what is expected of them; there's tension between Briony and 15 year old Lola. During the hot summer afternoon, Briony looks out the window to see her older sister Cecilia and Robbie, the cleaning lady's son, having what looks like some kind of menacing (and intimate) interaction in the fountain. The rest of the day's events and mishaps play out without implication until nightfall when a real crime of a sexual nature occurs and Briony's overactive imagination and lack of sophistication lead her to make a accusation which results in genuine tragedy for everyone. Without revealing the entire plot and overwhelming descriptions of war and survival, Briny spends her life paying for this mistake. Near the end of her long life, and having enjoyed without enjoyment a successful writing career, Briony's birthday is celebrated by her relations. This party is held at the old country house, now a renovated hotel, where her grand nieces and nephews perform THE TRIALS OF ARABELLA, a deeply emotional and incomprehensible experience for all (the surviving twin boy, now an old man, breaks down completely, as will nearly every reader).
This book goes into my unofficial rank as one of the best reading experiences I've ever had. It tooks me days to shake the feeling that Briony was a part of my life. I was completely transported and I don't think there can be better praise than that.

464 of 522 people found the following review helpful.
If God were a novelist
By Eileen G.
I picked up this good-looking book with no advance knowledge of its plot - just a liking for other works of its author - and I'm grateful for that, and won't give away the story here. I was grabbed by its first description, and held closely throughout. McEwan has created characters who are so fully realized that I felt as if I had known them for years. It's an amazing story, though not at all far-fetched. It's slyly easy to read - think "page-turner" - but it is about vitally important things. In addition considerable historic research went into it, and that's a delicious plus.
McEwan invites you into an English world that you will smell, hear, feel, and taste - and your mind and emotions will be fully engaged. The family has money and servants but this is nothing you've seen on television or the movies. The story is told with discipline and control, and from several points of view. The people are palpably real. It's a tightly organized and satisfying assemblage of the things that matter, among them family life, childhood, debt and obligation, loyalty, imagination, faith and hope, innocence and guilt, love, desire, varieties of destruction - and the urge to make a difference. Finally: war and peace. (In fact, you might be reminded of Tolstoy in more than a few ways.) In addition it's a fierce and moving meditation on the life of the mind and creativity. At the same time, McEwan's powers of description are such that all of your senses are never anything but fully engaged. English country life in the 1930's - a heat wave, and the fragrance of wildflowers, the feel of a silk dress that is sticking to skin, the thick dark of a moonless summer night - through the horrors of the Second World War (Dunkirk most dramatically and effectively) and beyond. It is either sheer brilliance, or a deeply humane urge, or maybe just a workmanlike sense, but McEwan takes full responsibility for each of his characters- and sees them through to the end.
Nearly every page has something unselfconsciously remarkable to think about - or to reconsider. I used my pencil throughout; there is so much that is wise or just plain awe-inspiring in this book. McEwan has accomplished something amazing. I'm telling friends to read the book first, reviews second. The story is so terrific, and so moving and important - and might unfold best for the reader who comes to it blissfully uninformed. It's not very often that I've felt transformed by a novel. Read it as soon as you can.

89 of 99 people found the following review helpful.
Crime without punishment
By Friederike Knabe
A number of reviews have summarized the story of the 'crime' of 13 year-old Briony and the resulting dramatic changes that occur in the lives of the key characters: in addition to the young girl, her older sister Cecilia, her cousin as well as the son of the housekeeper, Robbie. The first part of the book covers one hot summer day in rural England in 1935 where the tragedy unfolds. The atmosphere is masterfully evoked and the evolving drama sensitively depicted. To this reader the most successful facet of the chapter and the novel overall is the characterization of Briony. In many ways, this is Her story, seen from different angles and from different time perspectives. She is, as the late arrival to her parents, a typical mix of a spoilt and neglected child. She lives in her own fantasy world where the realities of her surroundings are mixed in with the wild imaginations of a romantic of her age. McEwan captures the capricious teenager very well indeed. He also paints an excellent portrait of the upper-middleclass family and its open and hidden frustrations and tensions. Cecilia is also well drawn as the returning fresh (women's) college graduate. She tends to replace the mother for Briony and a set of cousins, but at the same time she is uncertain of her own identity. This part of the book is the most engaging, it draws the characters well and builds up the tension up to the 'crime'.
The rest of the novel does not maintain the momentum created. The story picks up five years later with Robbie at the front in France after having spent the intervening years in prison for THE crime, which he did not commit. Briony, obviously in part as a result of her guilt for blaming Robbie rather than the real aggressor in a false testimony, has decided to train as a nurse in London. We also learn that her actions resulted in her sister refusing to communicate with her and the rest of the family.
One wonders why the very detailed description of the retreat from the front to Dunkirk with a wounded Robbie as the main character was necessary. Based on extensive research of historical documents, McEwan offers an excellent account of the dramas of that retreat, however, its significance for this particular story is not evident. The incidental facts one learns about the intervening years, the protagonists and their changed relationships do not justify the importance given to this chapter. The exception is the description of Briony's life as a nurse which is more to the point. An extensive duty period where she is suddenly confronted with the dramatic influx of seriously wounded soldiers leaves a deep impression. The learning curve that changes her from an innocent and irresponsible 18 year old to an adult during those hours is well drawn. Her actions following this experience, although somewhat unconvincing, are intended to demonstrate her resolve to confront her 'atonement'.
The novel ends with an epilogue set some 55 years later. It depicts Briony as a successful writer of a certain age. While preparing for a birthday party in her honour, she reflects not only on her life but also on the question of atonement. I agree with those reviewers who commented on the weakness of the ending of the novel. The concept of a story in a story and the author's privilege to change major aspects of the story line to give it more of 'happy ending', does not sound quite convincing. Atonement is not achieved by making the characters survive and live happily ever after. Briony, even at 77, remains the capricious little person that she was at 13. She still invents fantasies and refuses to take responsibility for her actions.

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Senin, 05 Agustus 2013

[V595.Ebook] Get Free Ebook Soft Tissue Pain and Disability (Pain Series), by Rene Cailliet

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Soft Tissue Pain and Disability (Pain Series), by Rene Cailliet

Detailing medicolegal decisions involving soft tissue injuries, the expenses paid annually in personal injuries and workers' compensation, this volume includes recent references and augmentation of many recent concepts along with diagnostic and therapeutic interventions. Issues covered include: fibromyalgia syndromes, treatment modalities for soft tissue pain, reflex sympathetic dystrophy, psychological aspects of soft tissue pain and workers' compensation.

  • Sales Rank: #2984144 in Books
  • Brand: Brand: F a Davis Co
  • Published on: 1988-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.00" l, .82 pounds
  • Binding: Paperback
  • 365 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
It is excellent in describing the physical tests used to determine the ...
By terence m. mcnay
this is a classic book on muscle, nerve and joint pain. It is excellent in describing the physical tests used to determine the location of the pain and the simple exercises to move to less pain.

2 of 3 people found the following review helpful.
great overall book for injuries
By D. L. Witteried
This book is great for overall diagnosing and possible rehabing of injuries. I have used it extensively in my practice as well as on myself.

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Sabtu, 03 Agustus 2013

[Q279.Ebook] Download PDF CLICK 4, by Milo Manara

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CLICK 4, by Milo Manara

  • Sales Rank: #4992238 in Books
  • Published on: 2002
  • Binding: Paperback

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17 of 19 people found the following review helpful.
Manara, where are you?
By Nicola Bellotti
I think Milo Manara is one of the best illustrators. In Italy I found all of Manara's works, and - in my opinion - "Click 4" is one of the worst comics of his production.
We have no plot. Nothing about the mood of Manara's "Click 1"...
Do you want to know the real great Manara? Buy "Butterscotch" or "Click1", or "Indian Summer"...

11 of 13 people found the following review helpful.
The worst Click book . . .
By Steve Vander
Adult full-color graphic novel.

Claudia Christiani returns for her fourth tale. Unfortunately, this is the weakest book in the series. Claudia's husband (same one from before, even though they had apparently separated after the first book ("Click 1")), a lawyer, represents Globalchem in a lawsuit over Methylene alcohol being used in food, causing people to go blind. The son and daughter (the sister being a little too causal about being nude in front of her brother, and the brother being a little too accommodating by shaving her and the like) of one of the victims decide to try to ruin Globalchem's lawyer by getting/using Claudia.

After failing miserably on their own, Dr. Fez contacts them to offer his help (actually, he contacted them before that, but the female didn't believe him). Apparently he has made a transmitter himself, even though he lost the first one in the first book, and by the end of that book thought that it was a fraud. His notes allowed him to create a better transmitter (strange, he didn't make the transmitter to begin with, and he never seemed to take any notes; he was a medical doctor, nothing previously implied that he was also an engineer or an inventor).

The fourth book in the series is somewhat off putting by the addition of edge of incest-like activity, though the drawing is still good. The plot is somewhat silly, and the characters are a little shallower than previous books.

Overall, the book includes scenes at the edge of incest, a certain level of humiliation, and a certain small amount of sex.

5 of 8 people found the following review helpful.
Not his best work.
By Nom de plume
The story and art of this book should have been fabulous. And they were if compared to the work of other writers/artists. But Manara is not your average adult comic book creator.
The sketches are bland and not too interesting when compared to comics like Manara's Sutra or his various collections of drawings.

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Kamis, 01 Agustus 2013

[L576.Ebook] Ebook CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira

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CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira

Choque: The Untold Story of Jiu-Jitsu in Brazil, Volume 3, 1961-1999 (updated revised edition), describes the big and small fights of the famous names and forgotten heroes and legends of Brazilian jiu-jitsu, based on verifiable Portuguese and Japanese sources. A few of the many individuals discussed are Carlos Gracie, Helio Gracie, Sumiyuki Kotani and Chugo Sato, Oscar Santa Maria, George Gracie, Robson Gracie, Carlson Gracie, Rolls Gracie, Rorion Gracie, Relson Gracie, Reyson Gracie, Reylson Gracie, Rocian Gracie, Rickson Gracie, Royce Gracie, Royler Gracie, Renzo Gracie, Rilion Gracie, Roger Gracie, Reila Gracie, Ralph Gracie, Carlos Gracie Jr., Clair Gracie, Oswaldo Fada, Almir Ribeiro, Jo�o Alberto Barreto, Helio Vigio, Pedro Hemeterio, Waldemar Santana, Valdo Santana, Ivan Gomes, Arturo Emidio, George Mehdi, Zulu, Marcelo Behring, Edson Carvalho, Murilo Bustamante, Wallid Farid Ismail, and hundreds of others. Includes full references, extensive notes, index, and six appendixes (fighters, fighters, records, academies, technical evolution of Brazilian Jiu-Jitsu, and terminology) and 31 pictures.
*Updated revised edition published June 1, 2016.

  • Sales Rank: #836440 in eBooks
  • Published on: 2015-08-31
  • Released on: 2015-08-31
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Great book! Loved it.
By Glenn Wallace
Well researched and eye opening. It shed light on a lot of the myths and stories I heard over the years. Reads more like The Tudors with all the twists and turns.

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CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira PDF

CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira PDF

CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira PDF
CHOQUE: The Untold Story of Jiu-Jitsu in Brazil (Jiu-Jitsu in Brazil, 1856-1999 Book 3), by Roberto Pedreira PDF